Wabi Mokume — Bespoke Jewellery designed by Gabriele Gucci
The Story

A technique three centuries in the making

From the sword fittings of Edo Japan to the workshops of Birmingham — the story of Mokume-gane.

1700s
Edo Japan

Origins in the sword forge

Denbei Shoami develops Mokume-gane to decorate sword fittings (tsuba, menuki, kozuka). The technique produces wood-grain patterns from laminated and worked metals. It is a material expression of the Japanese aesthetic concept of wabi — finding beauty in imperfection and impermanence.

Late 1700s–1800s
Refinement

From sword to adornment

As the samurai class declines through the Meiji Restoration, Mokume-gane masters adapt the technique to decorative arts, small objects, and jewellery. The craft is passed through lineages of metal workers.

1800s
The West encounters Japan

A craft reaches new eyes

Japanese decorative metalwork reaches European and American collectors and exhibitions. Mokume-gane pieces appear in museum collections, admired for their extraordinary surface.

1970s
Western rediscovery

Hiroko Sato Pijanowski and the revival

Metalsmith Hiroko Sato Pijanowski and her husband Eugene Pijanowski study the technique in Japan and introduce it to Western art jewellery, sparking a global wave of interest among studio jewellers.

1980s–2000s
Studio jewellery

A craft for the few

Only a handful of jewellers worldwide adopt Mokume-gane seriously. Working with precious metals (rather than traditional copper alloys) is exceptionally demanding — requiring specialised equipment, deep metallurgical knowledge, and years of practice.

Today
Birmingham Jewellery Quarter

Wabi Mokume

Working from the historic Birmingham Jewellery Quarter — home to British fine jewellery craft for over two centuries — Wabi Mokume carries this centuries-old discipline into contemporary bespoke jewellery. Every piece is made entirely by hand, using 18ct golds, platinum and palladium, hallmarked at the Birmingham Assay Office.

Why Wabi?

Wabi — from the Japanese aesthetic wabi-sabi — describes a beauty found in imperfection, impermanence, and the unrepeatable moment. The grain pattern in every Mokume-gane ring is exactly that: an unrepeatable event, captured in precious metal. We chose this name because it says everything about how we work and what we make.